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Every picture tells
a story


Doukhobor museum finds treasure

by Greg Nesteroff
 
THE IMAGES ARE STRIKING: three dozen jam factory workers sit down at a long table for lunch; well-dressed visitors inspect brick drying sheds and a peculiar cable conveyor; a kerchief-clad woman works an old-fashioned loom.
  All are rare, early scenes of Doukhobor settlement in Canada, and all in bright pastel hues. Once dismissed as insignificant and locked away in storage, these photographs now form a major new exhibit at the Doukhobor Village Museum in Castlegar.
Verigin at Shoreacres: Taken in 1924, this may be one of the last photos taken of Doukhobor spiritual leader, Peter Vasilivitch "Lordly" Verigin, standing far left; he was killed in train explosion in the fall of that year.

Most are presented in colour for the first time, and many have never been seen at all. There are several intriguing mysteries about them: Where did they come from? When were they taken? And who is that mysterious woman in several of them?

The photos are known as autochromes, an early colour process that used dyed starch grains to capture images on threeby-four inch glass plates. These could be projected onto a wall using a gas lantern, the forerunner of today's slide projectors.

Lunchtime at the jam factory: The jam factory was one of the prized enterprises operated by the Christian Community of Universal Brotherhood (Community Doukhobors). This photo is believed to have been taken around the early 1920s.
 
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